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Exploring the Back Catalogue: Wish, Triggers & Ye Olde Venerated Man-Baby Philosophers

I’m really enjoying our new acquisition Wish, on multiple levels – musically there’s so much on there that’s lovely, and even the stuff that’s not I think is the way it is to reinforce the story told by the lyrics – e.g. Wendy Time isn’t exactly a beautiful song, but the quacking Donald-Duck type guitars and the dissonance and ner-ner-ness of the thing just goes with the portrait of an insufferable attempt at manipulation, which the narrator is wise to, which in turn makes me go, “Hooray!” because how many people fall for that, not just once but repeatedly…

It’s mostly like aromatherapy for your ears (not roses or geranium, and nothing fake with phthalates from the chemistry lab either, more like sandalwood and boronia), while the lyrics to most of the songs are written with great care, go well as stand-alone poetry, and make you think. If there’s a main theme, I think it’s interpersonal relationships and the human condition…but I would think that – it’s like, “What do you see?”

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Open Letter To The “Different”

The right-wing Australian federal government and their fundamentalist PM are currently trying to pass legislation which would make it legal for religious people to spout hate speech against LGBTIQ and to discriminate against them, including specifically the expelling of transsexual children from private schools. This has led to impassioned discussion on The Guardian. Amongst the …

Continue reading “Open Letter To The “Different””

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Exploring the Back Catalogue: HOTD Wrap-Up

JAWS If you want to know what the musical theme was about, read the previous instalment. With this present instalment, I’m wrapping up my look at The Head On The Door.

What’s that doing here??? That’s not The Cure!

Today, the microscope is back out and we’re looking at the lyrics for Push.

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Exploring the Back Catalogue: HOTD & Powderkegs

ONCE UPON A POWDERKEG It’s so much more pleasant to write about music you love than about music that leaves you lukewarm or that you have issues with, but when you’re going through anyone’s back catalogue, unless you have extremely wide tastes and don’t get analytical with lyrics, you’re likely to find a mix of both. This is just like the Smorgasbord Analogy I wrote about on Exploring “Join the Dots”. No one person can or should be expected to eat and enjoy every dish that’s on offer at a buffet.

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Exploring the Back Catalogue: HOTD & Tealeaves

THE CROWD AND THE TEA-LEAVES We may get some more tangents to delight in on this scenic road, but meanwhile I’m just going to link to a web page where a crowd was asked what In Between Days was all about.  I usually avoid such places like the plague, especially if I’m going to write about music that’s new to me – I want to just start with what I can see from cold, and work out from first principles myself, before consulting others for their interpretations – and said web pages are not usually renowned for high-quality comments – which is why I prefer to talk to my husband, friends and other music nutters about it.

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Exploring the Back Catalogue: HOTD & PMI Lens

ANOTHER LOOK AT THE HEAD ON THE DOOR I’m on a slightly early teabreak, owing to The Head On The Door being barely over 35 minutes long. I’ve listened again after putting it away for six weeks, and today’s impression was a bit more favourable than my earlier impressions of this album.

Frame of mind and whether you’re giving something your complete attention are just two of the things that can change the way we respond to something – and this morning, I was in “go with the flow” mode, and I was not giving the album my total attention – I was doing some weeding, a necessary chore during spring flush even if you’re doing weed-avoidant permaculture stuff. Of course, weeding isn’t all-bad; it yielded a couple of tubs of livestock fodder, and quite a few tubs of organic material for the compost heap – bringing carbon back to the ground and getting nutrients recycled, while making oodles of compost worms happy.

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Exploring the Back Catalogue: Step Into The Light & General Reflections

Going largely backwards through a decades-long back catalogue after falling in love with a latter-day album is the reverse of how it generally works with music, but run-of-the-mill with literature. It’s like starting Dickens with Great Expectations, or Shakespeare with Hamlet, and then backtracking to their earlier work. In literature, nobody expects you to fetishise the first couple of efforts by an author and then bemoan the rest of their work, but that’s standard procedure for some music aficionados, in the context of contemporary music. Why is that?

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Exploring The Back Catalogue: HOTD First Impressions, KMKMKM, Oddments

I’m at a crossroads here with presenting the journal material so far, because originally we also had a preliminary listen to The Head On The Door straight after KMKMKM, and neither of us were thrilled with that record. This led to some online debates, not all of which were particularly friendly, and a deeper exploration of reasons we didn’t take to that album like we’ve taken to albums such as Bloodflowers, The Top and KMKMKM. After that, I had a first listen to Wish, which I much preferred to the 1985 release, and got straight into looking at the lyrics on that. In the thick of all of this, I completely forgot to have a closer look at KMKMKM and its lyrics, an omission I will rectify on this blog soon – so much to explore with that album, and really looking forward to that.

Meanwhile though, here’s a very preliminary entry on The Head On The Door, lumped in with two entries on other songs. Also a couple of sermons related to YouTube & co commentaries. 😇 Plus, I’ve thrown in something extra over and above the “reprint” on the last entry here – i.e. that scorching Hendrix cover, and Pink Floyd…

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Exploring the Back Catalogue: KMKMKM First Impressions

The next album from the Cure’s back catalogue that dropped into our rural mailbox in the middle of nowhere was Kiss Me, Kiss Me, Kiss Me. We were systematically closing gaps, having been captured years ago with Bloodflowers, various live albums and the concert film Trilogy, and having at that point gradually added Disintegration, The Top, Wild Mood Swings, Join the Dots (4 discs of B-sides, excellent value) and 4:13 Dream to our CD collection.

I started open journalling about the music with Exploring “Join the Dots”, then decided to continue the process with 4:13 Dream and subsequent new acquisitions in a new open journal, Exploring the Back Catalogue. I initially did both on a forum, but will now curate them on my blog and then continue gradually adding to them here.